This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording is from a large audio dataset assembled over a 12 month (2019) period, using 12 custom built sound recorders placed approx. one mile appart. The project was in collaboration with the McDowell Sonoran Conservancy and examined anthropocentric sound impact on the preserve. CAPLTR Showcase Denoised with RX7

This recording was taken on one of the walking paths on Vogelinsel (Bird Island) at the Altmühlsee (Lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the path is water, behind there is a small pond and in front of the mic-direction a big lake. All around this, there are other small islands. The usual recording spot was flooded so the microphone was moved to a new spot about 3m away from the old one. Throughout the recording a variety of birds, ducks, and goose sounds can be heard. Some birds came very close to the microphone. Splashing sounds and ducks swimming near the microphone can be heard. At the end of the recording you can hear a beater gnawing on a tree. Those sounds are mixed up with far away traffic sounds from the streets and the village nearby.

This recording was taken on one of the walking paths on Vogelinsel (Bird Island) at the Altmühlsee (Lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the path is water, behind there is a small pond and in front of the mic-direction a big lake. All around this, there are other small islands. The lake was frozen the day of recording so you can hear cracking and squeaking sounds from the ice throughout. Also, the frozen surface reflected the sounds of the environment leading to a more harsh and brittle landscape. Compared to the previous recording in Jan. 2018 there are far less bird sounds. At the end of the recording you can hear a beaver gnawing on a tree. Those sounds are mixed up with far away traffic sounds from the streets and the village nearby. Unfortunately due to technicall issues, there is a loud crackling and popping noise recorded to channel 4 for the first hour of recording.

This recording was taken on one of the walking paths on Vogelinsel (=birdisland) at the Altmühlsee (a lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the path is water - behind there is a small pond and in front of the mic-direction a big lake. All around this, there are other small islands. The Lake was frozen the Day the Recording was made so you can hear cracking and squeeking sounds from the ice throughout the recording. Also the frozen Surface reflected the Sounds of the environment leading to a more harsh and brittle soundscape. Compared to the previous Recording in January 2018 there are far less bird sounds on this recording. At the end of the recording you can hear a beaver gnawing on a tree. Those sounds are mixed up with far away traffic sounds from the streets and the village nearby. Unfortunately due to technical problems a loud crackling and popping noise was recorded to channel 4 for the first hour of the recording.

Secondary Author: Lucas Schmidt. This recording was taken on one of the walking paths on Vogelinsel (Bird Island) at the Altmühlsee (Lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the path is water, behind there is a small pond and in front of the mic-direction a big lake. All around this, there are other small islands. This time there was one species of bird, goose, that was pretty dominant. Also this time there were lots of helicopters from the US Station near Anbach flying above the island. In contrast of the last recordings, this time the impression of the soundscape after sunset didn't increase but became more quiet and the volume level decreased. Far away traffic sounds from the streets and village nearby those as church bells were also heard.

Secondary Authors: Cornelius Pöpel, Carla Banai-Schoneweg.This recording was made in the park Yerba Loca, about 2 hours drive from Santiago. We went with the car as far as possible, then went by foot. The recording was done close to a huge stone. There were bushes and some trees close to the recording spot. There is a river making a lot of sounds. We went far away from the river to keep water sounds and their masking small. One can hear birds as well as the river and cows from far away.

This recording was taken on one of the walking paths on Vogelinsel (Bird Island) at the Altmühlsee (Lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the path is water, behind there is a small pond and in front of the mic-direction a big lake. All around this, there are other small islands. Because it was a sunny winter day, there were many people going out for a walk, which you can also hear on the recordings. Besides that, the wind was at some points unexpectedly strong, causing a few noises of the stand. You can also hear a mechanical creaking noise which was not produced by the stand but by reeds moving in the wind. Especially after sunset you can heat a higher intensity of bird sounds. Those sounds are mixed up with far away traffic sounds from the streets and the village nearby.

Secondary Author: Luisa Filip. This recording was taken in a park into which a mountain river flows at a central point. We went away from the river up to the hills to search for a good recording spot with less water noise. On one side the mountain continued to rise, on the other side one looked in to the river valley. Sounds are mainly birds (while a very special bird sound is heard at 15:50), and the water. There were no people. The watersounds of the river unfortunately cover several sounds in nature but within our time frame we had no opportunity to search for a better spot.

This recording was taken on one of the walking paths on Vogelinsel (Bird Island) at the Altmühlsee (Lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the path is water, behind there is a small pond and in front of the mic-direction a big lake. All around this, there are other small islands.

This recording was made on a small footbridge on Vogelinsel (engl. bird island) at the Altmühlsee (a lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the bridge is water. All around are other small islands. At the time of recording, there were no other people on the islands. It was a relatively cold day, constant wind can be heard. Throughout the recording, there are a large number of different bird calls audible (esp. ducks, herons, geese,...), sometimes also flapping of wings. Those sounds mix with churchbells from the surrounding villages and distant traffic noise.

This recording was taken on one of the walking paths on Vogelinsel (Bird Island) at the Altmühlsee (Lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the path is water - behind there is a small pond and in front of the mic-direction, a big lake. All around this, there are other small islands. Various different birds are heard, frogs croak, and sometimes one hears water sounds. They could come from fish. One can hear insects flying around the microphone, humans talking far away, music coming from a radio or so is heard as well along with airplanes.

This recording was done at the lake Kürkösjärven tekojärvi which is close to Seinäjoki in Finnland. It was cold and in parts snowing, not a lot of people around. In parts children playing in the background can be heard. As it was snowing (very small drops of icy water, no large snowflakes) this can be heard in the recording. Some light traffic noise. Machine-like sounds can be heard.

This recording was made on a small footbridge on Vogelinsel (engl. bird island) at the Altmühlsee (a lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the bridge is water. All around are other small islands. At the time of recording, there were no other people on the islands. It was a relatively cold day, constant wind can be heard. Throughout the recording, there are a large number of different bird calls audible (esp. ducks, herons, geese,...), sometimes also flapping of wings. Those sounds mix with churchbells from the surrounding villages and distant traffic noise.

This recording was made on a small footbridge on Vogelinsel (engl. bird island) at the Altmühlsee (a lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the bridge is water. All around are other small islands. At the time of recording, there were no other people on the islands. It was a relatively cold day, constant wind can be heard. Throughout the recording, there are a large number of different bird calls audible (esp. ducks, herons, geese,...), sometimes also flapping of wings. Those sounds mix with churchbells from the surrounding villages and distant traffic noise.

This recording was made on a small footbridge on Vogelinsel (engl. bird island) at the Altmühlsee (a lake) in Germany, which is a nature reserve. The microphone was mounted on a stand. On both sides of the bridge is water. All around are other small islands. At the time of recording, there were no other people on the islands. It was a relatively cold day, constant wind can be heard. Throughout the recording, there are a large number of different bird calls audible (esp. ducks, herons, geese,...), sometimes also flapping of wings. Those sounds mix with churchbells from the surrounding villages and distant traffic noise.

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This recording exhibits the silent landscape of the Mojave Desert at night. Very minimal sonic events happen during this recording, the most notable of which being an airplane flying overhead. Sporadically throughout the recording small birds begin chirping and at a couple points near the end of the recording, larger birds flapping their wings become an brief sonic characteristic to the recording.

The author of the recording gives a detailed description of the Listen(n) project while on site at Zzyzx Road.

This recording starts right away with an amazing eagle call. The call repeats every 7-10 seconds. The call is varies in dynamics, is raspy, and may sound a bit like a baying horse sometimes. The microphone was not held steady and bumps and taps can be heard randomly throughout the 2 minute recording. The eagle is not the only bird featured in this recording. There are various squawks and chirps that can be heard alongside the eagle. Also, as in many of the other recordings, a bug flies around the microphone and wind blows. It can be a bit distracting from the eagle call itself.

This recording contains a large, windy soundscape. There are many instances where the microphone was bumped by surrounded objects being blown from a gust of wind. During these gusts of wind there are rich textures from dried shrubbery, creaking twigs and dry branches. This recording also contains sporadic bird calls and chirping, however they mostly remain in the distance. The most notable sonic element to this recording is the consistent sound of the microphone moving due to the winds.

This file contains an interesting pattern of events. Looking at the events that are marked, there is a somewhat repetitive composition to the events in the recording. First there is a plane, the microphone pops, some breezes blow through the scene, the microphone pops again, another plane flies overhead, a strong breeze passes through and then finally we end with another plane making its way into the sonic field. All while there is a fly that seems to linger around in-between each event, somehow not making its presence during the noted events.

This recording is rich with sonic events! An eagle calls ten times throughout the recording, a fly buzzes around the microphone for the duration of the recording, and there is another sort of buzzing right towards the end which sounds much heavier than coming from a fly.

This file contains the preparation for recording at Joshua Tree Reserve. The author speaks a few times explaining that the team is placing the Zoom recorder on a rock away from the Ambisonic mic. There are plenty of sounds of gravel and sand crunching beneath footsteps as well as a fly that continues to buzz around the microphone. Towards the very end the author explains that the MS microphones are not recording properly.

Due to this recording's environment, there is a lot of reverberation from the birds chirping, vehicles passing by and the occasional plant life being brushed together. There are over 10 instances of cars passing by, most of which are large trucks - presumably semis passing through on the highway. Throughout the recording there are a plethora of birds calling and chirping. At one particular point in the recording, no cars or trucks pass for over three minutes and the sounds of the birds thrive inside the cave-like environment this recording was made in.

This recording has on a few sonic events. However, there are some amazing eagle calls that are quite close to the microphone. There is a squawking bird that begins to call around the 7 minute mark and shortly after an eagle gives around 10 screeching calls before flying off in the distance and it stops calling.

This is only a short recording that contains sounds of a fly buzzing around the microphone. Other brief sounds include setting the microphone down and some brief gravel crunching from footsteps.

This is also a very short recording that does not document any major sonic events. Again, there is a fly the is buzzing around the microphone and there is also some brief sounds of gravel crunching together all while a male and a female conversing about a photograph the female took.

This recording does not contain any major sonic events. Through the entire recording there are multiple flies buzzing around the microphone.

This recording contains a plethora of bird calls which are consistent throughout most of the recording. The other sonic events of this recording include sounds of motor vehicles as they pass through the scene, a few instances of insects buzzing by the microphone, and winds occasionally blowing around twigs and dried shrubbery.

There are only a few events during this recording. For about 25 minutes there is sprinkler that moves around the scene and at some points the microphone clips from the sprinkler's water. The majority of the recording is wind blowing throughout the scene. At some points the breezes are stronger than at other points, yet wind is consistently present. The microphone either clips or pops a number of times during the recording and all of which have been marked.

This recording contains a large sample of winds blowing through Death Valley. During the first half hour of the recording the microphone clips a large number of times due to heavy winds blowing over the microphone. An interesting sound in this recording is what sounds to be a sprinkler spraying consistently throughout the recording and at one point clips the microphone due to its proximity. As the sprinkler sprayers further away, the sound starts to blend in to the sound of the winds blowing around some dried up shrubbery. It turns into a wonderful blend of white noise-esque frequencies engulfing the sonic environment.

This is only a 46 second file that does not contain any major sonic events. Some of the sounds include heavy breezes, a buzzing fly, human sniffling, and footsteps in gravel.

This recording predominantly contains the sounds of cicadas, crickets, water droplets and human movement.

This recording is mostly bugs (i.e. crickets and cicadas) and a faint sound of water. There are occasional bird chirps and squeaks as well as what sounds like little water droplets landing near the microphone.

The author of the recording discusses the manifestation of the entire Listen(n) project.

This recording mostly consists of distant highway noises. There are occasional bugs that buzz by and bird calls and what seems to be a jet or airplane near the end of the recording.

This recording consists of occasional bird call, bugs buzzing near the microphone, human movement, and a near constant hum of the freeway. We hear crows and doves in the recording as well as one plane flying over head. There doesn't seem to be much breeze or any breeze at all and the human movements in the recording consists of a man's voice, crunching on the gravel, footsteps, and stones being tossed.

This recording contains sounds equally from nature and humans. There are four instances when a car will drive right next to microphone and zoom past from the right channel to the left. Essentially this entire 2 hour recording has ambience of vehicles driving along the freeways in the distance as well as consistent sounds of bird calls. There are a few instances where a squawking bird begins calling quite close to the microphone and the timbre of its voice is very clear. The rest of the bird calls are are a little off in the distance and only vary between birds once about three times.

This recording contains a long sample of running water falling from a small creek. A few times in the recording what seems to be a very, very gentle breeze causes the stream to flow differently for a brief moment, otherwise the stream of the creek is consistent throughout the recording. Another sonic characteristic to this recording are a few crickets chirping. The crickets have been noted accordingly.

This recording is very silent. There sounds that occur throughout the recording are far into the distance. These sounds include consisted chirping of crickets from about the 13 minute mark until the end of the recording; cars passing along the freeway system; bird calls and the sounds of airplanes passing overhead.

This recording contains only the sounds of gravel and sand crunching underneath slow footsteps. The crunching has virtually no reverberance which makes the texture of the sounds very dry and rich. The source of the sound is also very close to the microphone.

This recording contains only the sounds of gravel and sand crunching underneath slow footsteps. The crunching has virtually no reverberance which makes the texture of the sounds very dry and rich. The source of the sound is also very close to the microphone.

This recording contains only the sounds of gravel and sand crunching underneath slow footsteps. The crunching has virtually no reverberance which makes the texture of the sounds very dry and rich. The source of the sound is also very close to the microphone.

This file contains a large, evolving soundscape of crickets chirping. About 3/4 through the recording there is a fairly dense sonic field of crickets chirping which create a nice immersive environment. There is a short instance where an airplane flies over the scene as well as some nice sounding breezes, but the majority of the recording is the crickets chirping together. The recording is marked at 8:36PM.

This file contains a few interesting events. As stated in the previous recording, this recording also contains the same electronic beeping in intervals of 25 seconds. There are some interesting bird calls, one sounding similar to a seagull’s caw, and one loud squawking bird call. From about the 9:30 minute mark until the end of the recording there is a very gradual build up of crickets chirping together. It starts with just one until the 15:30 minute mark.

This file does not contain too many major events. There are continuous winds, sporadic bird calls and microphone pops throughout the recording. Starting at about the 14 minute mark, there is an electronic beeping sound that could be coming from a walkie talkie, mobile cell phone or other electronic device. The sound repeats every 25 seconds for the remainder of the recording. There is also a fly that makes plenty of appearances throughout the recording.

This file contains consisted winds with birds calling and singing throughout the duration of the recording. The winds vary in strength and proximity for the first 20 minutes of the recording while the last five minutes the winds become more tame.

This file contains frequent reoccurring events that mostly contain bird calls or notably strong winds. There are consistent winds present throughout the recording, as well as insects flying around the microphones. The author describes the recording at about the 1 minute mark stating that the GPS is marked Mojave 16, 05, 2014. It is Friday, May 16th at 6:36PM. According the the description there are lots of little bugs flying all over the place. Someone describes that it is overcast and the sun is going to set in about an hour. The recording was made in ambisonic A format on channels 1 - 4 and MS microphones recording on channels 5 and 6. The gain on the sound field microphone is set at 53db, the gain on the MS pair is also set at 53db and center. These recordings are hoping to document the sounds of coyotes.

This recording contains a wind sound scape with plenty of wildlife activity. Sporadically throughout, new birds chime in to the recording and gives their unique calls for a few minutes at a time. Needless to say the wind overpowers most of the bird calls as most of the birds are usually off in to the distance. There a couple of instances in where wildlife movement becomes audible. This events are quite brief however, but they depict the dry dessert landscape.

The large majority of sonic activity in this recording comes from wind. At only a couple of instances in the recording do other sounds occur, i.e bird calls, wildlife movement. Rather, the recording as a whole documents are large wind soundscape. There are also tiny clicks and pops from the microphone slightly moving around on the tripod throughout the recording. The sounds are very faint.

This recording includes many different animal and insect sounds from birds and frogs to crickets and other small critters. There is a steady wind throughout the recording as well as the sounds of cars and planes. The very end of the recording is marked with the time, 9:09AM

This recording is very uneventful. The sound of wind, cars, birds and squeaking remain constant throughout the entire recording. There is a popping sound that begins at about 5 minutes and is random until the end of the recording. Also, a bug seems to be very interested in the microphone and makes frequent visits. There are some unique bird calls that I have noted that stand out from the others.

This recording was done at 7:57 AM on March 16, 2014. The recording features aircraft and birds. The aircraft is not marked in time because it is consistent throughout the entire track. It turns into a dull noise that blankets the recording. There are also birds chirping for a majority of the recording, though they may be faint against wind or aircraft.

This recording contains a massive sample of wind fluctuating through the landscape and cacti. There are some very strong winds which cause the microphone to clip at times, and there also some very peaceful wind samples that blow around dried leaves, sticks and cacti spines creating an interesting sonic texture. There are also a few instances about halfway through the recording when a wonderful songbird belts out a few tunes.

This recording contains a large sample of winds blowing through the organ pipe cacti. Along with the variation of wind sounds are the sounds of dried shrubbery and cacti spines rustling together and blowing around in the winds, creating a light, whispering blanket of texture. The winds vary in strength during the recording and at one point almost clip the microphone. At at any given time in the recording there are birds calling and chirping in the background of the scene. They remain present throughout the recording, although their sounds are not a focus of this particular recording.